Cataloging Tips for Sound Effects

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Cataloging Tips for Sound Effects

Author: SFXsource | Total views: 19 | Word Count: 402 | Category: Audio | Date: Jun 22nd 2008

Associating data with your finished sound effects products is the final step before submitting your material to sound distributors. This data, called metadata, offers interested buyers information on each sound in your library. Details about the seven main types of metadata to be used when cataloging your sound effects follow.
Initially you want to pick the right format for listing your metadata. I have found that .xls projects and the most requested format for metadata which assign each sound a row and each category a column. This type of document, as opposed to a text file, will let you search your sounds easily in the future according to each characteristic.
1. Broad categories should be used for the first Main Category column such as Animals, Machinery, and Vehicles. Be as minimal as possible in picking the main categories for maximum simplicity and organization.
2. The Sub-Category column is meant to break down each main category into various elements such as Animals:Birds, Animals:Dogs, Animals:Pigs etc.
3. Assigning a SKU number that begins with three unique letters, such as your company's initials, and five digits such as SFX00001_BirdChirp as you make them will add immediate organization to your library. The next sound should begin with SFX00002 etc. allowing each sound to be completely unique in title. This sort of numbered titling eases future confusion should you end you with 50 dog barks organized alphabetically.
4. The Title is a friendly title to be displayed for the potential licensee such as Dog Bark 1.
5. A simple but significant bit of metadata is Time Length since long sound effects are usually priced higher than shorter sound effects and the buyer deserves to know how much sound they are getting for their money.
6. Track info stipulates whether the sample is stereo or mono as well as the sample rate, bit rate , and file type such as Stereo 48k 24bit .wav which informs the licensee about the quality of the sample.
7. The importance of Keywords cannot be overlooks, as they are the main method by which interested licensees will find your sounds. Associated sounds, plurals of the sound, misspellings, and phrases should be used such as bird, birds, bird chirp, bird chips, fly, flying, nature, berds.
The next step after cataloging your sounds according to the above seven steps is submission to online distributors for sale of licensing rights.

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Associating data with your finished sound effects products is the final step before submitting your material to sound distributors. This data, called metadata, offers interested buyers information on each sound in your library. Details about the seven main types of metadata to be used when cataloging your sound effects follow. Initially you want to pick the right format for listing your metadata. I have found that .xls projects and the most requested format for metadata which assign each sound a row and each category a column. This type of document, as opposed to a text file, will let you search your sounds easily in the future according to each characteristic. 1. Broad categories should be used for the first Main Category column such as Animals, Machinery, and Vehicles. Be as minimal as possible in picking the main categories for maximum simplicity and organization. 2. The Sub-Category column is meant to break down each main category into various elements such as Animals:Birds, Animals:Dogs, Animals:Pigs etc. 3. Assigning a SKU number that begins with three unique letters, such as your company's initials, and five digits such as SFX00001_BirdChirp as you make them will add immediate organization to your library. The next sound should begin with SFX00002 etc. allowing each sound to be completely unique in title. This sort of numbered titling eases future confusion should you end you with 50 dog barks organized alphabetically. 4. The Title is a friendly title to be displayed for the potential licensee such as Dog Bark 1. 5. A simple but significant bit of metadata is Time Length since long sound effects are usually priced higher than shorter sound effects and the buyer deserves to know how much sound they are getting for their money. 6. Track info stipulates whether the sample is stereo or mono as well as the sample rate, bit rate , and file type such as Stereo 48k 24bit .wav which informs the licensee about the quality of the sample. 7. The importance of Keywords cannot be overlooks, as they are the main method by which interested licensees will find your sounds. Associated sounds, plurals of the sound, misspellings, and phrases should be used such as bird, birds, bird chirp, bird chips, fly, flying, nature, berds. The next step after cataloging your sounds according to the above seven steps is submission to online distributors for sale of licensing rights. Article Source: <a href="http://www.organizingweb.net" target="_blank">OrganizingWeb.net</a> About the Author: Check out SFXsource's professional sound effect library to hear <a href="http://www.sfxsource.com">Sound Effects</a> and get free audio samples and loops at <a href="http://www.freesoundeffectsandloops.com">Free Sound Effects and Loops</a>